The one you surely know, but the other perhaps not! For more information follow this link! Then await excerpts of our interview with her which will be posted here in the near future!
Daniela Barcellona returned to ROF to participate in the finale of this year’s Festival
We are thrilled to bring contributions from two members of the American Rossini Society. Charles Jernigan has translated the libretto for Adina into English and Celia Montgomery has provided an illustration. Although the libretto is no longer available… Read More
Barbiere reappears at ROF2018
The superstar soprano talks about what it’s like to sing Rossini, the differences between Bellini, Donizetti, and Rossini – and more!
Rossini comes to Washington DC with an answer to the doctor vacancy, thoughts about a Constitutional Amendment, and of course, the topic of MONEY. These are all current issues in the capital city of the United States and… Read More
The intimate Rossini, The canard that Rossini quit composing after he wrote William Tell should be put to rest, yet again. Indeed, he no longer wrote for the stage, but the output of his “golden age” contains treasures… Read More
A fitting and heart-felt tribute was held in February in the memory of Philip Gossett
Interview with Teatro Nuovo’s Will Crutchfield who returns the Rossini masterpiece “La Gazza Ladra” in July 2019
Honoring Zedda in the best way possible.